Index

Index
The153 Club
The Agades Cross
People of the Sahara
Saharan Landscapes
Books on the Sahara(1)
Books on the Sahara(2)
Books on African Art
Saharan Salt Trade
The Gundi
Illizi Festival 2000
Sahara Freeze-up
Camel Cheese
153 Club Newsletter
153 News Update
Join the 153 Club
Today's African News

Père de Foucauld
L'Arbre du Ténéré 1
L'Arbre du Ténéré 2
Saharan Forts 1
Saharan Forts 2
Saharan Rock Art
Giraffe Engravings
Leo Africanus
Battuta's Saharan travels
Shabeni's Timbuktu
Timbuctoo the Mysterious
Heroditus & Pliny on Libya
Timbuktu, a poem

Joliba Trust
Ibn Khaldûn quotes 1
Ibn Khaldûn quotes 2
Ibn Khaldûn quotes 3
Ibn Khaldûn quotes 4
Ibn Khaldûn quotes 5
Ibn Khaldûn quotes 6

Old Michelin Maps
Early NW Africa Map 1
Early NW Africa Map 2
Early NW Africa Map 3
Early NW Africa Map 4
Early NW Africa Map 5
Saharan Exploration

Henry Barth 1
Henry Barth 2
Henry Barth 3
Denham & Clapperton 1
Denham & Clapperton 2
Haardt & Audouin-Dubreuil 1
Haardt & Audouin-Dubreuil 2
Haardt & Audouin-Dubreuil 3
Haardt & Audouin-Dubreuil 4

External Links

Jim Mann Taylor's Home Page
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On the Origins of Registered Post—by Ibn Khaldûn (1332-1406)
Ibn Khaldûn, the Arab philosopher, historian and politician, was born in Tunis in 1332. His major work is the Muqaddimah or An Outline of History, from which the following translation is taken.

On the origins of registered Post:

"It is also possible to impress a seal upon some soft substance, so that the letters of the legend appear on that substance, and to place the substance (with the seal impression) on the knots (of the strings with) which letters are tied, and upon places for deposits (such as storehouses, strong boxes, etc.). The first to introduce the sealing of letters, that is, the use of signature, was Mu'âwiyah. He also introduced the ministry of the seal. It is composed of the secretaries who see to it that the letters of the ruler are expedited and sealed, either by means of a signature, or by tying them. Letters are tied either by piercing the paper and tacking (the letter) together (with string), as is the custom of the secretaries of the Maghrib, or by glueing the top of the sheet to the part of the letter over which the top is folded, as is the custom of the people in the East. Over the place where the letter is pierced and tacked, or where it is glued, a signature is placed. It guarantees that the letter has not been opened and that its contents have not been read. The people of Maghrib place a piece of wax where the letter is pierced and tacked, and seal it with a seal upon which some signature is engraved for use in sealing, and the engraving is impressed upon the wax. In the old dynasties of the East, the place where the letter was glued was also sealed with an engraved seal that was put into a red paste of clay prepared for that purpose. The engraving of the seal was impressed upon the clay. Under the Abbâsid dynasty, this clay was called 'sealing clay'. (The use of) the seal was peculiar to the ministry of correspondence. In the Abbâsid dynasty, it belonged to the wazir. Later on, custom differed. It went to those who were in charge of (official) correspondence and the office of the secretaries in the (various) dynasties. In the Maghrib, people came to consider the seal ring as one of the royal marks and emblems. They made artistic seal rings of gold inlaid with gems of hyacinth (ruby), turquoise, and emerald. The ruler according to their custom wore the seal ring as an insignia."

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Rock Art Chariot